Tag: travel

  • Themes, part 3

    I’m a little weird academically because in a lot of ways I am very traditional but in others, I’m probably a little profane. The other night we went and saw comedian John Crist who had a bit in his show where he talked about having “these thoughts that just pop in out of nowhere.” He gave some funny examples and as we were laughing my wife leaned over and said ‘you do that all the time.” I couldn’t deny it because it’s true. I like trying to think for myself and have no problem asking questions most English teachers wouldn’t. For example, take The Great Gatsby. It’s an amazing work or art and not even his best if you ask me. But if you’ve ever had to study it, inevitably, you came to the discussion about the green light Gatsby sees off in the distance. Much has (deservedly so) been made about that light and what it represents. For me though, I remember thinking “what if the city got a really good deal on green bulbs that year? What if we are making way too much out of this?” I mean, if it had been red, what would we be saying? I’ve always wondered about greatness in the literary world. How much of it is intended and how much is what we make it out to be? I know…I’m not supposed to have those kinds of thoughts but I do. 

    Writing the book If We Never Meet Again was a very interesting experience for me. I can honestly say that there are things I planned and things that just kind of developed as it went. And in retrospect, I do love how it all came together. Honestly, it all started out of me telling stories about the people I encountered in hospice, but as the book began to take shape and grow, it became so much more for me. And the weird thing is how things just fell into place as if they were part of a greater plan all along. There are many things about the book that I love, but the first and biggest hint toward what I feel is a primary theme of the novel is the cover. I even had to fight for it and I’m glad I did because for me, it would be a very different book without that cover.

    On January 6, 2020, at exactly 7:10 am, I took that photo on my phone at Huntington Beach State Park (a little south of Murrells Inlet). That was my first official day of work in the world of hospice. I was staying with my in-laws (we wouldn’t officially move to the area until February 1), got up early before heading to the office, watched the sunrise, and took the photo. I loved it so much, my wife had it enlarged into a canvas that we have in our bedroom. When it came time to design the book cover, I was adamant that it had to be that picture. Initially, my publisher said no because it didn’t have a high enough quality (dpi) to be the cover. They assured me that they could find a similar stock photo but I said nope, did some quick research, and found a site that allowed me to increase the picture quality. I sent them the new version, they said it looked good, and I got what I wanted. 

    Why was it so important? First of all, it’s a sunrise and not a sunset. If it had been the sunset, it would be something totally different. And to be honest, it would have worked given the stories. Perhaps a sunset could have represented our patients and their passing. But that’s not what I intended. I have always said that it’s not a book about death. Yes, that happens a lot in my book but that’s not the focus. For me, the focus is the lives they lived in their final moments and the lessons that they each taught me. I state this pretty clearly at the end:

    “Each of the people on these pages have impacted me in their own unique ways and I will never forget them. While I may have had to change their names and certain identifying characteristics, they are forever imprinted on my soul and have remade me into who I am today. As Dylan once said “He not busy being born is busy dying.” I always liked that line but now I think I finally get it. That’s what this entire experience has been for me (135).” 

    After all, my book is a memoir about the experiences I had and the lessons I learned from the individuals I met in the world of hospice. For me, the book is all about my own “journey of becoming” and rebirth. Yes, the sun eventually sets. But my hope is that the inevitable sunset will always inspire a new sunrise in each of us the way my patients did for me. But that’s only my take on it. And don’t for a second think that I haven’t wondered what if I had got up late that morning and never taken that picture. We would be having a totally different discussion now wouldn’t we?